2018-04-21

Test

How babies learn – and why robots can’t compete

I asked her about language learning. We knew words mattered, but I’d not heard much talk at playtime. “If we’re not addressing personal, social, emotional development first, you’re not ready to learn,” said Prodger. She explained that before children could acquire the tools of speech and language, you had to ensure they felt a sense of “being and belonging”. Too frequently, she thought, our approaches to early learning skipped these steps. It sounded to me like a nice-to-have, not an essential, but research showed otherwise.
They take the kids out to the forest a few days a week, light fires, let them experiment with scissors and ride BMX bikes. If they want to be outside, they go outside. If they fancy returning to the snug, where the youngest infants roll around, that’s where they would go. The environment dictates the learning. The adults aim only to connect and share attention with the children. Reading and writing could wait. Nurseries ought to be as social as possible, and follow kids’ lead in their play. Before kids can get on with learning, we have to ensure they belong
“What the machine can’t do is be a partner,” Hirsh-Pasek told me. “It isn’t social. It’s interactive without being adaptive.”
He had discovered that human learning was communal and interactive. For a robot, the acquisition of language was abstract and formulaic. For us, it was embodied, emotive, subjective, quivering with life. The future of intelligence wouldn’t be found in our machines, but in the development of our own minds.
In 2003, the psychologist Patricia Kuhl experimented with teaching American infants Mandarin. Split into three groups (video, audio and flesh-and-blood teacher) only those with a human tutor learned anything at all. In 2010 a study of the wildly popular Baby Einstein vocabulary-building DVDs (Time called them “Crack for Babies”) revealed that infants who watched them “showed no greater understanding of words from the program than kids who never saw it”. Nor did babies learn words by eavesdropping on parental conversations or listening to In Our Time on Radio 4, however soothing the mellifluous tones of Melvyn Bragg. More than words, it took a human being for a baby to learn language. They could not learn from screens.
Erika Christakis, early-childhood expert and author of The Importance of Being Little, charts the slow descent in preschool learning from a multidimensional, ideas-based approach to a two-dimensional naming-and-labelling curriculum. Daphna Bassok at the University of Virginia asks if kindergarten is really the new first grade. The expectation that kindergarteners – aged five or six – can read is now commonplace. Yet this is counter to all the evidence. A Cambridge study comparing groups of children who started formal literacy lessons at five and seven found that starting two years earlier made no difference at all to a child’s reading ability aged 11, “but the children who started at five developed less-positive attitudes to reading, and showed poorer text comprehension than those who started later”.
These findings are clear: if you start on the decoding before you have an underlying understanding of story, experience, sensation and emotion, then you become a worse reader. And you like it less. Treat kids like robots during early learning and you put them off for life.
In her book, she suggested six Cs for modern learning: collaboration, communication, content, critical thinking, creative innovation and confidence. Truisms, I had thought, but unlike much education policy, drawn from scientific evidence. If I was to take away one thing, she said, it should be that “from the earliest ages, we learn from people”.
He had given up building robots that would compete with humans and instead turned his attention to the augmentation of human learning. What had changed his mind was the process of actually raising a child

2018-02-19

Test title

Test body 

2018-01-20

Hope is a beggar...

Faith takes control

2018-01-17

Desert island playlist

1 The XX - xx
2 The Libertines - the likely lads
3 Paul Kalkbrenner - train
4 Nosaj thing - kexp live mix
5 smashing pumpkins - adore
6 ash - nuclear sounds
7 chemical brothers - another world
8 jay z - grey album
9 Debussy - Clair de lune
10 opening theme to Planet Earth
11 Ratatat
12 gattaca soundtrack
13 yeah yeah yeah s

Desert island playlist

1 The XX - xx
2 The Libertines - the likely lads
3 Paul Kalkbrenner - train
4 Nosaj thing - kexp live mix
5 smashing pumpkins - adore
6 ash - nuclear sounds
7 chemical brothers - another world
8 jay z - grey album
9 Debussy - Clair de lune
10 opening theme to Planet Earth
11 Ratatat
12 gattaca soundtrack
13 yeah yeah yeah s

2018-01-08

Systems or content

What is the foundation of a good business?

Singapore makes me believe it's lifestyle. Jakarta convinces me it's the logistical system.

A beautiful system wrapped in great content.

2017-11-18

Harmonica

Harmonica

2017-11-15

adventure time

Adventures Comes / Disaster Goes....

What a wonderful adventure - I wake up this morning in wrong train in the wrong city. Bandung is 300 kilometers away from my intended destination of Jakarta. It is 630am

...and there is a meeting at 2pm...
...and the next train from Bandung to Jakarta is full...
...and I'm dressed in a polo shirt, shorts and sandals...

Oh Yes, the trails of corporate business and general travel adventure.

Zoom, in a taxi to the nearest Bus Station.
Walk, through a hulking bus yard finding a bus. "di mana? di mana?"
Sit, in a rickety bus with frostbite aircon

For 1 hour, nothing moves and I wait.

We wait until it moves, and when it moves it moves in staccato fashion zooming through traffic and screetching to inappropriate stops along the autobahn to pickup any villagers or mobile food sellers.

We stop and go and stop and go through rice fields and green tea plantations. Slowly the green landscape rots away to concrete, canals and smog-traffic to reveal an emerging Jakarata before spitting me out at a fruit-named station called Rambutan and off again into a blue bird taxi for another hour of blue bird taxis.

Nevermind the shower, nevermind the clothes. We change in the office toilet and brush our teeth. Truthly, our is still just me but I have with me Patti Smith on audio book and a spinning mind sketching out a video for the company. So to keep the loneliness at bay I is We.

At the end, a simple text to frame the day: "Hi Darling, great disaster adventure this morning!" *send* 😁😁




2017-07-02

#RoleModels

James Cameron
Elon Musk
Ed Catmull
John Carmack
Thom Mayne
Frank Gehry

2016-02-29

Trust Your Better Self

By noon, tasks have piled up to nay high and there are messagings pinging in from facebook, skype and whatsapp. Like a growing cacophony of sounds, its hard to tell what the real tune is.

Which is why I think its important to find a quieter time to layout your intended tune before the din of everyday life comes in.

Its become a ritual in the studio to do two things:

First: 1010s, where we update each other everyday at 1010. We share two things: whats my most important thing (*MIT*) for the day and if i need any of the team's time. After that, we're set and everyone is off to do their own thing.

Second: PPPs, where we share the progress, problems and plans at a project level. This happens every week on Monday morning, and from it we get 3 MITs for each project phase. This helps to guide everyone's daily 1010.

Third: We've tried for a third - quarterly reviews, annual review - but at that scale, things are less regular and the real impact of decisions in what projects you say yes or no to.

So when its past noon and there's tons of pinging messages, I trust my better self and switch them off (if its important, they'll call). Because my better self told me at the morning 1010 that there's an important tune to play for the day, so nevermind the ruckus.

2016-02-22

Get wrong to get right

You need to get it wrong to get right. For example, instead of creating 3 design "options" in 4 days and labouring over the details, how can you make 100 design iterations in 20 minute and flush out all the bad ideas and deadends early on? Don't ask "how do I get the design right?" Instead, ask "How can I make 100 mistakes in 20 minutes and clear the way for good things to happen?? And the best way to do this is to be very clear on what kind of mistakes should happen when. Too many mistakes at the same time will make it hard to judge what the right move should be. The hypothesis is that you should be very intentional in what you're trying to get wrong. Using techniques from matte painting, here's a hypothesis for the PAL project: The first mistake to make is in organization. Make every space too small and too big and dead and wasteful so that they can eventually be right: the right proportions, the right flow, the right light. The dimensions to evaluate are 2 dimensional. The next mistake to make is in massing. How is the organization going to be shaped? Only think about form and value relationships. Don't waste time thinking about materials yet. Draw fast and let it be ugly, clunky and awkward. Diagrammatically work the plans/sections or types/assemblies with the drawing so you know that it can still work. Eventually, a big grid of doodles will emerge and you can start to sort and distill into a single image or two that work. The doodle is mixing plan and section. 3.5D of information: X/Y/Z and values. IF you get stuck, just be systematic about the permutations and combinations you can make. This is a mixture of a line and a tonal thumbnail. If you've made it this far, congrats. You are now ready to make more mistakes! Its time to get materials and details wrong. Focus on making the materials as ugly and clash as possible. Try pinks, blues, reflectives and coloured lights. Don't worry. Try textures and smears and overlays. At this point, you should be having so much fun that there should be two massing perspectives to mess up! This is a colour study. Finally, focus your efforts on getting lighting as bad as possible. After this only are you ready to develop it in 3D.

2015-10-04

Tims Vemeer

"Tim's Vemeer" is a documentary movie about an inventor called Tim. One day, he was given a book called "Secret Knowledge" written by artist David Hockney. The book argues that the artists of the renaissance used mirrors and lenses to help develop their art. This revelation on the role of engineering in art set Tim down his quest to understand the work of Vemeer by reverse engineering a machine that could to replicate his paintings. The results are jawdropping and the uncanny success of his invention suggests that Vemeer too might have used a similar device. This is exciting because it changes one understanding of Vemeer as an artist and his art. It means that as an artist, Vemeer had to have an understanding of mechanical tooling to make such devices. It also means he would have had to understand physical phenomena such as light and optics to manipulate the image. And it would also mean he would need to understand geometric perspective to correct the optical distortions of the device. It also means the outcome is less a mystical creation coming from an inscrutible flash of inspiration. Like a surgeon, Vemeer uses this knowledge to operate on human perception but instead of the scapel and the knife, his tools become light and paint. It means that artist and is art is less shaman, more scientist. Less alchemy, more maths. Less inspiration, more process.

2015-08-01

2013-09-21

The magic of a spec

“If I build this, will it delight you?”

2013-09-01

this quarter is about housekeeping! 

2013-08-06

Is it true that large architecture is all about project management?

The ecology of Autodesk suites certainly suggest this. In the 2013 building suite celebrates their primary software, Revit. The sell of the product is its collaborative tools which allow for version control, clash detection. It is a 'coordinated and consistent model-based approach'.

Here is my frustration: underlying the model-based approach is a limited palette of techniques and components. I've found the process of modelling to be counter-intuitive to "sketching". Sitting in the cockpit of revit is like steering a lumbering behemoth.

This inspires deep envy when I contrast my revit experience to the modelling environment of Mudbox or Maya. The model tweaks and responds at a speed that flows well with the creative process.

I suspect the family-part-assembly technique will help this - if only I can figure it out! 

2013-06-01

How to Write a Traditional Resume Without Traditional Credentials

How to Write a Traditional Resume Without Traditional Credentials
By Tiffany Mikell

So, you’re a self-directed learner (or want to be).  Congratulations, you’re beginning to understand how to teach yourself anything, anywhere.  You are not bound by a classroom or a predefined program structure or the outrageous tuition costs of most traditional institutions.  

2013-05-07

The Difference Engineer: Fictional Narratives for Looser Lives


A critical reading of the architectural practice of r&sie through the lens of Gilles Deleuze



“In a restless moment near the end of their lives, Gilles Deleuze and Félix Guattari revealed their sensitivity to the uncertainty within their work, which was constantly being reformulated, by asking what it means to create. While the act of creation is not a representation of something that already exists, it is also not an eruption of the uncontrolled or undefined; it is not born of pure chaos, nor does it refer to it,” Natanel Elfassy

Against Intepretation: Constructing Difference for Differance’s Sake or, “If It Ain’t Broke, Break It”


This essay is an attempt at an amoral textual simulation. It accepts the contemporary as is and does not resist simulacra but embraces it. Any alternative view, in my view, is futile. It tries to resist cynicism for a positivist projection of, in the absence of a defined agenda or manifesto, where do we go from here?


2013-04-07

Musings on the Week

This week sees many changes: the return of gerald, the submission of TID, the wedding of Su&Ren. 

However, what stands out is a little dessert bar. Read on for: 

Letter in the Email Box: like waiting to pee
2AM Dessert Lab: agency of process